BEST NON-ENGLISH LANGUAGE PICTURE

Grand Illusion – WINNER

- Drôle de drame
- Pépé le Moko
- Street Angel
- Humanity and Paper Balloons
- Un carnet de bal

BEST ENGLISH-LANGUAGE PICTURE

Snow White and the Seven Dwarfs – WINNER

- The Awful Truth
- Stage Door
- Oh, Mr. Porter!
- Lost Horizon
- Make Way for Tomorrow
- The Prisoner of Zenda

BEST ACTOR

Jean Gabin – Pépé le Moko – WINNER

- Jean Gabin – Grand Illusion
- Cary Grant – The Awful Truth
- Spencer Tracy – Captains Courageous
- Fredric March – A Star Is Born

BEST ACTRESS

Katharine Hepburn – Stage Door – WINNER

- Irene Dunne – The Awful Truth
- Jean Arthur – Easy Living
- Beulah Bondi – Make Way for Tomorrow
- Luise Rainer – The Good Earth
- Barbara Stanwyck – Stella Dallas

BEST SUPPORTING ACTOR

Erich von Stroheim – Grand Illusion – WINNER

- Ralph Bellamy – The Awful Truth
- Douglas Fairbanks, Jr. – The Prisoner of Zenda
- Joseph Schildkraut – The Life of Emile Zola
- Pierre Fresnay – Grand Illusion

BEST SUPPORTING ACTRESS

Andrea Leeds – Stage Door – WINNER

- Dita Parlo – Grand Illusion
- Claire Trevor – Dead End
- Dame May Whitty – Night Must Fall
- Zhao Huishen – Street Angel
- Flora Robson – Fire Over England

BEST DIRECTOR

Jean Renoir – Grand Illusion – WINNER

- Leo McCarey – The Awful Truth
- Frank Capra – Lost Horizon
- David Hand – Snow White and the Seven Dwarfs
- Gregory La Cava – Stage Door
- Fritz Lang – You Only Live Once

BEST ORIGINAL SCREENPLAY

Grand Illusion – Charles Spaak & Jean Renoir – WINNER

- Oh, Mr. Porter! – Frank Launder, J. O. C. Orton, Val Guest & Marriott Edgar
- A Star Is Born – William A. Wellman, Robert Carson, Dorothy Parker & Alan Campbell
- Easy Living – Vera Caspary & Preston Sturges
- Un carnet de bal – Julien Duvivier, Henri Jeanson, Yves Mirande, Jean Sarment, Pierre Wolff & Bernard Zimmer

BEST ADAPTED SCREENPLAY

Pépé le Moko – Détective Ashelbé, Julien Duvivier, J. Constant & Henri Jeanson (from the novel by Ashelbé) – WINNER (tied)
Snow White and the Seven Dwarfs – Ted Sears, Richard Creedon, Otto Englander, Dick Rickard, Earl Hurd, Merrill De Maris, Dorothy Ann Blank & Webb Smith (from the traditional story transcribed by Jacob & Wilhelm Grimm as “Schneewittchen”) – WINNER (tied)

- Drôle de drame – Jacques Prévert (from the novel His First Offence by J. Storer Clouston)
- The Awful Truth – Viña Delmar (from the play by Arthur Richman)
- Stage Door – Morrie Ryskind and Anthony Veiller (from the play by Edna Ferber & George S. Kaufman)

BEST CINEMATOGRAPHY

The Good Earth – Karl Freund – WINNER (tied)
Grand Illusion – Christian Matras – WINNER (tied)

- Lost Horizon – Joseph Walker
- The Prisoner Of Zenda – James Wong Howe
- The Hurricane – Bert Glennon
- Pépé le Moko – Jules Kruge

BEST ORIGINAL SCORE

Lost Horizon – Dimitri Tiomkin – WINNER

- Snow White and the Seven Dwarfs – Frank Churchill, Leigh Harline & Paul Smith
- The Hurricane – Alfred Newman
- Grand Illusion – Joseph Kosma
- The Prisoner of Zenda – Alfred Newman
- The Good Earth – Herbert Stothart
- Captains Courageous – Franz Waxman

BEST ADAPTED/SONG/MUSICAL SCORE

Shall We Dance – George & Ira Gershwin (original songs); Nathaniel Shilkret (musical director) – WINNER

- Snow White and the Seven Dwarfs – Frank Churchill & Larry Morey (original songs); Freeman High (musical director)
- Broadway Melody of 1938 – Nacio Herb Brown & Arthur Freed (original and adapted songs); Georgie Stoll (musical director)

BEST ORIGINAL SONG

“They Can’t Take That Away From Me” – Shall We Dance – George & Ira Gershwin – WINNER

- “Heigh Ho” – Snow White and the Seven Dwarfs – Frank Churchill & Larry Morey
- “Let’s Call the Whole Thing Off” – Shall We Dance – George & Ira Gershwin
- “Some Day My Prince Will Come” – Snow White and the Seven Dwarfs – Frank Churchill & Larry Morey
- “Whistle While You Work” – Snow White and the Seven Dwarfs – Frank Churchill & Larry Morey

BEST SOUND

Lost Horizon – WINNER

- The Hurricane
- Snow White And The 7 Dwarfs
- Oh, Mr Porter!
- The Good Earth
- In Old Chicago
- The Life Of Emile Zola

BEST FILM EDITING

Pépé le Moko – Marguerite Beaugé – WINNER

- Grand Illusion – Marthe Huguet & Margueritte Renoir
- Lost Horizon – Gene Havlick & Gene Milford
- Oh, Mr. Porter! – R.E. Dearing
- A Star Is Born – James E. Newcom

BEST ART DIRECTION

Lost Horizon – Stephen Goossón – WINNER

- The Prisoner of Zenda – Lyle R. Wheeler
- Oh, Mr. Porter! – Alex Vetchinsky
- Drôle de drame – Alexandre Trauner
- The Good Earth – Cedric Gibbons

BEST COSTUME DESIGN

The Prisoner of Zenda – Ernst Dryden – WINNER

- The Life of Emile Zola – Milo Anderson & Ali Hubert
- Shall We Dance – Irene & Edith Clark
- Fire Over England – René Hubert
- Stage Door – Muriel King

BEST SPECIAL EFFECTS

The Hurricane – WINNER (tied)
Topper – WINNER (tied)

- Lost Horizon
- The Good Earth
- Captains Courageous

BEST SHORT FILM

The Old Mill – WINNER

- Clock Cleaners
- Popeye the Sailor Meets Ali Baba’s Forty Thieves
- The Little Match Girl
- Lonesome Ghosts
- An Optical Poem

SPECIAL ACHIEVEMENT AWARD

Lucille La Verne for her vocal performance as the Queen/Wicked Witch in Snow White and the Seven Dwarfs

Asta the Dog for his performance in The Awful Truth
Lost Horizon for its makeup design
Oh, Mr. Porter! for its stunt work

BEST NON-ENGLISH LANGUAGE PICTURE

Metropolis WINNER

- Napoléon
- The Girl with the Hat Box
- Bed and Sofa
- Berlin: Symphony of a Great City
- The Love of Jeanne Ney

BEST ENGLISH-LANGUAGE PICTURE

Sunrise: A Song of Two Humans WINNER

- The General
- The Unknown
- 7th Heaven
- The Kid Brother

BEST ACTOR

Buster Keaton (The General) WINNER

- Lon Chaney (The Unknown)
- Harold Lloyd (The Kid Brother)
- Albert Dieudonné (Napoléon)
- George O’Brien (Sunrise)

BEST ACTRESS

Janet Gaynor (Sunrise) WINNER

- Janet Gaynor (7th Heaven)
- Brigitte Helm (Metropolis)
- Mary Pickford (My Best Girl)
- Clara Bow (It)
- Anna Sten (The Girl with the Hat Box)

BEST SUPPORTING ACTOR

Rudolf Klein-Rogge (Metropolis) WINNER

- Jean Hersholt (The Student Prince in Old Heidelberg)
- Conrad Veidt (The Beloved Rogue)
- John George (The Unknown)
- Gary Cooper (Wings)

BEST SUPPORTING ACTRESS

Clara Bow (Wings) WINNER

- Vera Baranovskaya (The End of St. Petersburg)
- Gina Manès (Napoléon)
- Margaret Livingston (Sunrise)
- Brigitte Helm (The Love of Jeanne Ney)
- Marion Mack (The General)

BEST DIRECTOR

F. W. Murnau (Sunrise) WINNER

- Fritz Lang (Metropolis)
- Abel Gance (Napoléon)
- Clyde Bruckman & Buster Keaton (The General)
- Frank Borzage (7th Heaven)

BEST ADAPTED SCREENPLAY

Buster Keaton, Clyde Bruckman, Al Boasberg & Charles Smith (The General, from the memoir Daring and Suffering: A History of the Andrews Railroad Raid by William Pittenger) WINNER

- Carl Mayer (Sunrise: A Song of Two Humans, from the story “Die Reise nach Tilsit” by Hermann Sudermann)
- Thea von Harbou (Metropolis, from the novel by von Harbou)
- Benjamin Glazer (7th Heaven, from the play by Austin Strong)
- Hans Kraly (The Student Prince in Old Heidelberg, from the novel and play Alt-Heidelberg by Wilhelm Meyer-Förster)

BEST ORIGINAL SCREENPLAY

Abel Gance (Napoléon) WINNER

- Abram Room & Viktor Shklovsky (Bed and Sofa)
- John Grey, Ted Wilde, Tom Crizer, Lex Neal & Howard Green (The Kid Brother)
- Vadim Shershenevich & Valentin Turkin (The Girl with the Hat Box)
- Tod Browning & Waldemar Young (The Unknown)

BEST CINEMATOGRAPHY

Charles Rosher & Karl Struss (Sunrise) WINNER

- Karl Freund, Günther Rittau Rittau & Walter Ruttmann (Metropolis)
- Robert Baberske, Reimar Kuntze & Laszlo Schäffer (Berlin: Symphony of a Great City)
- Léonce-Henri Burel, Jules Kruger, Jean-Paul Munviller & Nikolai Toporkoff (Napoléon)
- Ernest Palmer & Joseph A. Valentine (7th Heaven)

BEST FILM EDITING

Abel Gance (Napoléon) WINNER

- Buster Keaton & Sherman Kell (The General)
- E. Lloyd Sheldon & Lucien Hubbard (Wings)
- Walter Ruttmann (Berlin: Symphony of a Great City)
- Aleksandr Dovzhenko (The End of St. Petersburg)

BEST ART DIRECTION

Otto Hunte, Erich Kettelhut & Karl Vollbrecht (Metropolis) WINNER

- Rochus Gliese, Alfred Metscher & Edgar G. Ulmer (Sunrise)
- Charles D. Hall (The Cat and the Canary)
- Alexandre Benois (Napoléon)
- William Cameron Menzies (The Beloved Rogue)

BEST COSTUME DESIGN

Mme. Augris, Mme. Neminsky, Charmy Sauvageau & Jeanne Lanvin (Napoléon) WINNER

- Aenne Willkomm & Hermann I. Kaufmann (Metropolis)
- Alli Hubert & Eric Locke (The Student Prince in Old Heidelberg)
- Lucia Coulter (The Unknown)
- J.K. Pitcarin (The General)

BEST SPECIAL EFFECTS

Metropolis WINNER

- Wings
- Napoleon
- King of Kings
- The Lodger

BEST SHORT FILM

The Mechanical Cow WINNER (tied)
Spiritual Constructions WINNER (tied)

- Battle of the Century
- Felix the Cat Dines and Pines
- Now You’re Talking
- The Town Rat and the Country Rat

SPECIAL ACHIEVEMENT AWARD

The Jazz Singer for its sound WINNER

- Napoléon for its pioneering use of widescreen
- Wings for its aerial stunts

BEST PICTURE (NON-ENGLISH LANGUAGE)

Winner: The Lives of Others

- Pan’s Labyrinth
- Letters from Iwo Jima
- Volver
- Black Book

BEST PICTURE (ENGLISH LANGUAGE)

Winner: Inland Empire

- United 93
- The Queen
- Once
- Children of Men

BEST ACTOR

Winner: Ulrich Muhe (The Lives of Others)

- Ryan Gosling (Half Nelson)
- Daniel Craig (Casino Royale)
- Kang-ho Song (The Host)
- Gordon Pinsent (Away from Her)

BEST ACTRESS

Winner: Helen Mirren (The Queen)

- Penelope Cruz (Volver)
- Judi Dench (Notes on a Scandal)
- Carice van Houten (Black Book)
- Ivana Baquero (Pan’s Labyrinth)

BEST SUPPORTING ACTOR

Winner: Forest Whitaker (The Last King of Scotland)

- Leslie Phillips (Venus)
- Jackie Earle Haley (Little Children)
- Michael Sheen (The Queen)
- Eddie Murphy (Dreamgirls)

BEST SUPPORTING ACTRESS

Winner: Cate Blanchett (Notes on a Scandal)

- Adrianna Barraza (Babel)
- Rinko Kikuchi (Babel)
- Carmen Maura (Volver)
- Catherine O’Hara (For Your Consideration)
- Meryl Streep (The Devil Wears Prada)

BEST DIRECTOR
Winner: Clint Eastwood (Letters from Iwo Jima)

- Joon-ho Bong (The Host)
- David Lynch (Inland Empire)
- Guillermo del Toro (Pan’s Labyrinth)
- Pedro Almodóvar (Volver)

BEST ORIGINAL SCREENPLAY

Winner: Florian Henckel von Donnersmarck (The Lives of Others)

- Pedro Almodóvar (Volver)
- Guillermo del Toro (Pan’s Labyrinth)
- Zach Helm (Stranger Than Fiction)
- Gerard Soeteman & Paul Verhoeven (Black Book)

BEST ADAPTED SCREEPLAY

Winner: William Monahan (The Departed, from the film screenplay Mou gaan dou by Alan Mak & Felix Chong)

- Sarah Polley (Away from Her, from the story “The Bear Came Over the Mountain” by Alice Munro)
- Alfonso Cuarón, Timothy J. Sexton, David Arata, Mark Fergus & Hawk Ostby (Children of Men, from the novel The Children of Men by P. D. James)
- Paul Haggis & Iris Yamashita (Letters from Iwo Jima, from the books “Gyokusai soshikikan” no etegami by Tadamichi Kuribayashi and Chipuzo Kanashiki by Kumiko Kakehashi)
- Patrick Marber (Notes on a Scandal, from the novel What Was She Thinking? by Zoë Heller)

BEST CINEMATOGRAPHY

Winner: Emmanuel Lubezki (Children of Men)

- Guillermo Navarro (Pan’s Labyrinth)
- Lik Wai Yu (Still Life)
- Dion Beebe (Miami Vice)
- Vilmos Zsigmond (The Black Dahlia)

BEST ORIGINAL SCORE

Winner: Javier Navarrete (Pan’s Labyrinth)

- Gustavo Santaolalla (Babel)
- Jean-Michel Bernard (The Science of Sleep)
- Kyle Eastwood & Michael Stevens (Letters from Iwo Jima)
- Alexandre Desplat (The Painted Veil)
- Philip Glass (Notes on a Scandal)
- Clint Mansell (The Fountain)

BEST ADAPTED/MUSICAL/SONG SCORE

Winner: Glen Hansard & Markéta Irglová (original & adapted songs); David Donohue (music consultant) (Once)

- Richard Dworsky (music director); Pat Donohue, Richard Dworsky, Garrison Keillor, Andy Stein, Robin Williams, Linda Williams et. al. (original songs) (A Prairie Home Companion)
- Henry Krieger (original & adapted songs); Tom Eyen (adapted songs with Krieger); Siedah Garrett, Willie Reale, Scott Cutler, Beyoncé Knowles, & Anne Preven (original songs with Krieger); Randy Spendlove (music supervisor) (Dreamgirls)
- Johann Strauss II et. al. (adapted compositions & songs) (Scoop)
- Tony Gatlif & Delphine Mantoulet (songs & compositions) (Transylvania)
- David Lynch (original songs); Marek Zebrowski (music consultant) (Inland Empire)

BEST ORIGINAL SONG

Winner: “Falling Slowly”, Glen Hansard & Markéta Irglová (Once)

- “You Know My Name”, Chris Cornell & David Arnold (Casino Royale)
- “O Kazakhstan”, Erran Baron Cohen, Sacha Baron Cohen, Anthony Hines, Peter Baynham, Todd Phillips, Dan Greaney, Jeff Poloquin & Patton Oswalt (Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan)
- “Listen”, Henry Krieger, Scott Cutler, Beyoncé Knowles, & Anne Preven (Dreamgirls)
- “Ghost of Love”, David Lynch (Inland Empire)
- “The Hill”, Markéta Irglová (Once)
- “I Need to Wake Up”, Melissa Etheridge (An Inconvenient Truth)
- “Lies”, Glen Hansard & Markéta Irglová (Once)
- “Real Gone”, Sheryl Crow & John Shanks (Cars)

BEST SOUND

Winner: Letters from Iwo Jima

- Black Book
- Dreamgirls
- United 93
- Apocalypto

BEST FILM EDITING

Winner: Clare Douglas & Richard Pearson & Christopher Rouse (United 93)

- Thelma Schoonmaker (The Departed)
- Alfonso Cuarón & Alex Rodríguez (Children of Men)
- Stuart Baird (Casino Royale)
- Bernat Vilaplana (Pan’s Labyrinth)

BEST ART DIRECTION

Winner: Eugenio Caballero (Pan’s Labyrinth)

- Gary Freeman & Malcolm Middleton (Children of Men)
- Nathan Crowley (The Prestige)
- Christina Ann Wilson (Inland Empire)
- Jean-Michel Ducourty & Matthieu Beutter (Coeurs)
- Ann Chakraverty & Pierre Pell & Stéphane Rosenbaum (The Science of Sleep)

BEST COSTUME DESIGN

Winner: Milena Canonero (Marie Antoinette)

- Yan Tax (Black Book)
- Chung Man Yee (The Curse of the Golden Flower)
- Lala Huete (Pan’s Labyrinth)
- Consolata Boyle (The Queen)

BEST SPECIAL EFFECTS

Winner: The Host

- Pan’s Labyrinth
- Pirates of the Caribbean: Dead Man’s Chest
- 300
- Silk

BEST SHORT FILM

Winner: The Danish Poet
Winner: Lifted
Winner: My Love
Winner: Peter and the Wolf

- Everything Will Be Okay
- The Mozart of Pickpockets

SPECIAL ACHIEVEMENT AWARD

Winner: Ensemble Acting (Offside)

- John Hurt, Narration (Perfume: Story of a Murderer)

Film Threat’s Top 50 Lost Films of All Time:

“Arirang” (1926, Korea). Na Un’gyu directed this volatile drama about rural Korean life during the Japanese colonial occupation era. The prints were destroyed during the Korean War; reports of a surviving print in a private Japanese collection remain unconfirmed.

“The Audion” (1922, USA). This animated short film was produced by Western Electric and designed to offer a demonstration of sound-on-disc recording technology. An experimental project not meant for commercial release, it was thrown away after its test screenings were over.

“The Betrayal” (1948, USA). Oscar Micheaux’s last film was a three-hour epic about a taboo love between a wealthy black farmer and a white woman in the wilds of South Dakota (she’s really a light-skinned African-American passing for white). The film was a box office failure and no one bothered to preserve the prints.

“Bezhin Meadow” (1937, USSR). Sergei Eisenstein’s first sound film was shut down after two years of production and the expenditure of one million rubles (no small fee for Stalinist-era cinema). The sole surviving (a workprint, according to some sources) was destroyed in a World War II bombing raid.

“Black Love” (1972, USA) – Horror director Herschell Gordon Lewis, working under the pseudonym R.L. Smith, made his only blaxploitation feature in Chicago, but it is uncertain if it was ever completed or released.

“Brother Martin” (1942, USA). Pioneering African-American filmmaker Spencer Williams directed and starred in this all-black drama about a pious man’s test of faith. All that remains of this film is an elaborate lobby poster.

“Cleopatra” (1917, USA). Theda Bara starred in this extravagant $500,000 budget production. Surviving prints were stored at the Fox Studio vaults in Hollywood and the Museum of Modern Art in New York, but were lost when fires broke out at both locations. Only 45 seconds of footage survives.

“A Connecticut Yankee In King Arthur’s Court” (1921, USA). Harry Myers, best known as the drunken millionaire who befriends Charlie Chaplin in “City Lights,” stars in this adaptation of the Mark Twain classic. Only three of the film’s eight reels are known to survive.

“Drakula halála” (”The Death of Dracula”) (1923, Hungary). Paul Askenas plays a mental asylum inmate who claims to be the celebrated vampire. The film, which introduced the character named Dracula to the screen, does not appear to have been released outside of Hungary. It is among the many Hungarian silent films that vanished.

“El Apastol” (1917, Argentina). The first animated feature was created Italian-born filmmaker Quirino Cristiani, who spoofed the presidency of Argentina’s Hipolito Irigoyen in a 70-minute feature consisting of 58,000 drawings. All known copies were destroyed in a fire in 1926, and only a few character sketches survive.

“The Great Gatsby” (1926, USA). The first film version of F. Scott Fitzgerald’s novel was actually crafted from a Broadway adaptation written by Owen Davis. Only a one-minute trailer survives.

“The Gulf Between” (1917, USA). The first Technicolor production and the first feature-length American color movie. All that remains are several frames from the long-lost print.

“Hats Off” (1927, USA). Laurel and Hardy deliver a bulky washing machine to a house at the top up a huge flight of stairs in this silent comedy, which was clearly a forerunner to their Oscar-winner “The Music Box.” No print exists.

“Heart Trouble” (1929, USA). Harry Langdon’s last starring role in the silent era was a spoof on military and spy films, but it was barely released and never preserved.

“Hello Pop!” (1933, USA). The Three Stooges and their original straight man, Ted Healy, star in this MGM Technicolor short. No print is known to survive.

“Help!” – The Drama School Scene (1965, UK). The Beatles and British comic legend Frankie Howerd failed to click in this sequence from the Fab Four’s second film, hence its removal from the final cut and its disappearance into the abyss.

“Her Friend the Bandit” (1914). This Keystone comedy had Charlie Chaplin and Mabel Normand as its stars and co-director. Originally called “The Italian” and released in Europe as “A Thief Catcher,” the film probably relied on anti-Italian stereotypes for its humor.

“Him” (1974, USA). This X-rated film about a gay man’s homoerotic obsession with the New Testament was detailed in the 1980 book “The Golden Turkey Awards” by the Medved Brothers – whether they saw the film or just read about it was uncertain. No copy is known it to exist, and only an advertisement from the film’s original New York run has turned up.

“Human Wreckage” (1923, USA). Dorothy Davenport, whose movie star husband Wallace Reid died from morphine addiction, created this harrowing drama of the destructive effects of drug usage on a family. This independent production was a hit in its day, but is lost today.

“Humor Risk” (1920, USA). The first Marx Brothers movie was this two-reel comedy with detective Harpo chasing villain Groucho in a nightclub where Italian bon vivant Chico and playboy Zeppo hang out. The film had at least one screening, but it was considered a disaster and the comic siblings allowed the sole print to be thrown out.

“In Holland” (1929). The Broadway comedy team of Bobby Clark and Paul McCullough starred in a series of early talkies. This spoof on Dutch culture probably deteriorated over the years until it vanished into nitrate goo.

“King Kong Appears in Edo” (1938, Japan). Believed to be the first kaiju film, this unauthorized remake of the RKO classic was believed to be destroyed in the Allied bombings of Japan during World War II.

“Kismet” (1930, USA) – An early widescreen epic starring Broadway legend Otis Skinner in his only sound film. Racy subject matter prevented its re-release after the 1934 Production Code was enforced, and the film was most likely destroyed as having no further commercial value. Only soundtrack disks survive.

“Life Without Soul” (1915, USA). The second film adaptation of Mary Shelley’s novel “Frankenstein” changed the characters’ names (Victor Frankenstein became William Frawley!) and starred Percy Darrell Standing as “the brute man” monster. The film’s producers went out of business and the prints vanished with its creators.

“Lock Up Your Daughters” (1959, UK). Reportedly a “quiz film” in which scenes from a number of Bela Lugosi scenes were shown and audience members were encouraged to audibly identify their source, the film was reviewed in the British film trade journal Kinematograph Weekly – but there is no record of the film ever being released and no materials on the film have ever been located.

“Man in the 5th Dimension” (1964, USA). Shot in 70mm Todd-AO, this short film starred Billy Graham talking about the world situation and how salvation could come about through the embrace of the Bible. Designed to be shown at Graham’s pavilion at the 1964 New York’s World Fair, it never played theatrically and has not been seen since.

“The Monkey’s Paw” (1933, USA). The W.W. Jacobs short story was expanded into an hour-long RKO film, although a bizarre happy ending ruined the shock of its climax. Only fragments remain, although reports of a complete print at the UCLA archives are unconfirmed.

“The Mystery of the Mary Celeste” (1936, UK). Bela Lugosi went to London to star in this creepy film, based on a true story, about a ship that is found in the ocean without any person on board. The original 90-minute version is lost, and all that survives is the truncated American release called “Phantom Ship.”

“Naughty Dallas” – The Jack Ruby Footage (1963, USA). Exploitation filmmaker Larry Buchanan was able to shoot a film at the Carousel Club in Dallas on the condition that the joint’s manager, Jack Ruby, get a role in the film. Buchanan reluctantly agreed, but threw away the footage after it was shoot. This was before Ruby did you-know-what in Dallas.

“No, No Nanette” (1930, USA). This early talkie adaptation of the Broadway musical followed the adventures of a Bible salesman whose infatuation for a scatterbrained chorus girl leads him away from Christ’s path to Broadway. Only parts of the soundtrack on Vitaphone discs survive.

“Oklahoma!” – The James Dean Audition. (1954, USA). The 16mm test footage of Dean auditioning for the role of Curly (playing opposite Rod Steiger as Jud) was thrown away after Gordon MacRae was cast in the role.

“Peludópolis” (1931, Argentina). The aforementioned Quirino Cristiani also created the first animated feature with sound, with this political satire. The only known prints of “Peludópolis” were destroyed in a fire in 1961

“Raja Harishchandra” (1913, India). Dhundiraj Govind Phalke’s epic offered a cinematic vision of Hindu gods and goddesses, and the first bathtub scene in Indian movie history (played by men in female garments, since no actress would do this scene). Only fragments remain of this early landmark.

“The Return of Gilbert and Sullivan” (1950, UK). The operetta kings return to Earth to protest the jazz adaptations of their beloved compositions. No extant print of the original color production has turned up of this musical romp, although a truncated black-and-white version has been located in England.

“The Scott Joplin Performance Film” (1904, USA). An experimental early sound film was believed to be created by Eugene Lauste, this contained the only known footage of the ragtime performer. The experiment was acoustically unsatisfactory and the film was discarded as a failure.

“Space Jockey” (1958, USA). Phil Tucker, creator of “Robot Monster,” had poor feelings for his obscure sci-fi feature, calling it a “piece of *beep* No details on the film can be located anywhere beyond Tucker’s comments, and it is possible the film was probably unfinished and never released.

“September” – The Original Cast (1987, USA). Woody Allen’s ill-fated drama had a troubled history consisting of two versions of the same film. Leading man Christopher Walken was replaced by Sam Shepard after shooting began. The film was completed, but it was so unsatisfactory that is was reshot; Shepard and castmates Charles Durning and Maureen O’Sullivan were replaced by Sam Waterston, Denholm Elliott and Elaine Stritch. The first version has never surfaced.

“Song of the West” (1930). This all-Technicolor musical, based on the Broadway hit “Rainbow” by Oscar Hammerstein II and Laurence Stallings, had the distinction of being the first all-color/all-talking feature to be filmed entirely outdoors. The unstable nature of the early two-color Technicolor prints hastened speedy deterioration of prints.

“The Story of the Kelly Gang” (1906, Australia). The world’s first feature film was this 70-minute Australian production about the rise and fall of Ned Kelly and his fun bunch of Outback rebels. Roughly 10 minutes of this production survive.

“Take it Out in Trade” (1970, USA). The notorious Edward D. Wood Jr. hit career rock bottom in writing and directing this X-rated romp about a couple who hire a detective to find their missing daughter living in a whorehouse. Wood has a supporting role in drag (his character’s name is Alecia), but the film is gone –only silent outtakes survive.

“Taxi Driver” – The original climactic shootout (1976, USA). The MPAA forced Martin Scorsese’s to mute the colors in the film’s original bloody climax. The footage from the original full-color climax was thrown away and never seen again.

“Too Much Johnson” (1938, USA). Three years before “Citizen Kane,” Orson Welles shot this silent comedy romp designed to provide a cinematic bridge into his theatrical presentation of the comedy “Too Much Johnson.” The print and negative were destroyed in a 1971 fire at Welles’ Spanish home.

“Uncle Tom’s Fairy Tales” (1968, USA). Penelope Spheeris was supposed to make her directing debut in this savage satire of America’s volatile race relations, but star Richard Pryor was unhappy with the film’s progress and halted production. Pryor reportedly ordered the footage to be destroyed, although there are unconfirmed reports that some footage survived.

“Untitled Ed Wynn Film for ‘The Ziegfeld Follies of 1915’” (1915, USA). As part of the hit Broadway show, Ed Wynn dressed like a movie director and stood in the center aisle of the theater while a movie of his fellow castmates played on a screen (W.C. Fields was part of the film). After the show closed, the film was thrown away.

“The Way of All Flesh” (1927, USA). This film has the dubious distinction of being the only lost film to boast an Academy Award-winning performance, with Emil Jannings as a bank clerk who switches identities with a dead robber. Only five minutes of footage survive.

“The Werewolf” (1913, USA). The first known movie dealing with human-into-wolf transformations has a Navajo witch passing her black magic onto her daughter, who gets wolfish to scare off nasty white settlers. The last known print of the film was destroyed in a fire in 1924.

“What a Widow!” (1930, USA). The final collaboration between Gloria Swanson and her producer/lover Joseph P. Kennedy was this unsuccessful comedy about a young woman who suddenly becomes the center of romantic adventurers after she inherits $5 million when her rich old husband croaks. With neither Swanson nor Kennedy keeping track of the film, the prints vanished.

“The Wizard of Oz” – The Jitterbug Number (1939, USA). This single sequence cost $80,000 to produce and five weeks to shoot, but it was removed from the final version of the MGM classic. The soundtrack recording and 16mm home movie footage of the sequence remain.

“A Woman of the Sea” (1926). Charlie Chaplin produced Josef von Sternberg’s drama starring Edna Purviance, the co-star of Chaplin’s classic comedy shorts. The finished film was so bad that it was never released. Chaplin destroyed it in 1933.

“Zudora” (1914, USA). This 20-chapter serial follows the adventures of a young heiress who can gain her inheritance if she solves a series of 20 mysteries. Chapters 1, 2 and 8 are all that remains.

BEST ENGLISH-LANGUAGE PICTURE

WINNER: Taxi Driver

- All the President’s Men
- Carrie
- Network
- Harlan County, U.S.A.

BEST NON-ENGLISH LANGUAGE PICTURE

WINNER: Cria cuervos (Raise Ravens)

- Ai no corrida (In the Realm of the Senses)
- Monsieur Klein (Mr. Klein)
- Novecento (1900)
- Noirs et blancs en couleur (Black and White in Color)
- Im Lauf der Zeit (Kings of the Road )

BEST ACTOR

WINNER: Robert DeNiro (Taxi Driver)

- Ben Gazzara (The Killing of a Chinese Bookie)
- Alain Delon (Mr. Klein)
- William Holden (Network)
- Giancarlo Giannini (The Innocent)

BEST ACTRESS

WINNER: Sissy Spacek (Carrie)

- Ana Torrent (Cria Cuervos)
- Genevieve Bujold (Obsession)
- Faye Dunaway (Network)
- Liv Ullmann (Face to Face)

BEST SUPPORTING ACTOR

WINNER: Peter Finch (Network)

- Laurence Olivier (Marathon Man)
- Jason Robards, Jr. (All the President’s Men)
- Jean-Claude Brialy (The Judge and the Assassin)
- Burgess Meredith (Rocky)
- Zero Mostel (The Front)

BEST SUPPORTING ACTRESS

WINNER: Piper Laurie (Carrie)

- Geraldine Chaplin (Cria cuervos)
- Jodie Foster (Taxi Driver)
- Rita Moreno (The Ritz)
- Dominique Sanda (1900)
- Beatrice Straight (Network)

BEST DIRECTOR

WINNER: Martin Scorsese (Taxi Driver)

- Brian De Palma (Carrie)
- Alan J. Pakula (All the President’s Men)
- Nagisa Oshima (In the Realm of the Senses)
- Sidney Lumet (Network)

BEST ADAPTED SCREENPLAY

WINNER: William Goldman (All the President’s Men, from the book by Carl Bernstein & Bob Woodward)

- Lawrence D. Cohen (Carrie, from the novel by Stephen King)
- Robert Getchell (Bound for Glory, from the memoir by Woody Guthrie)
- Tonino Guerra, Lino Jannuzzi & Francesco Rosi (Cadaveri eccelenti, from the novel Il contesto by Leonardo Sciascia)
- David Williamson (Don’s Party, from the play by Williamson)

BEST ORIGINAL SCREENPLAY

WINNER: Paddy Chayefsky (Network)

- Paul Schrader (Taxi Driver)
- Carlos Saura (Cría cuervos)
- Sylvester Stallone (Rocky)
- Franco Solinas & Fernando Morandi (Mr. Klein)

BEST CINEMATOGRAPHY

WINNER: Haskell Wexler (Bound for Glory)

- Gordon Willis (All the President’s Men)
- Robby Muller, Martin Schafer (Kings of the Road)
- Michael Chapman (Taxi Driver)
- Sven Nykvist (The Tenant)
- Vilmos Zsigmond (Obsession)

BEST ORIGINAL SCORE

WINNER: Bernard Herrmann (Taxi Driver)

- Pino Donaggio (Carrie)
- Jerry Goldsmith (The Omen)
- Bill Conti (Rocky)
- Bernard Herrmann (Obsession)
- Maurice Jarre (The Message a.k.a. Mohammad, Messenger of God)
- Ennio Morricone (1900)

BEST ADAPTED/SONG/MUSICAL SCORE

WINNER: Woody Guthrie (adapted songs); Leonard Rosenman (music adaptor) (Bound for Glory)

- Hazel Dickens et. al. (adapted songs) (Harlan County, U.S.A.)
- Richard M. Sherman & Robert B. Sherman (original songs); Angela Morley (arranger & conductor) (The Slipper and the Rose)
- Paul Williams (original songs & arrangements) (Bugsy Malone)
- Frédéric Chopin et. al. (adapted compositions); Franco Mannino (conductor) (The Innocent)
- Axel Linstädt & Bernd Linstädt (original songs) (Kings of the Road)

BEST ORIGINAL SONG

WINNER: “Ave Satani”, Jerry Goldsmith (The Omen)

- “Gonna Fly Now”, Bill Conti, Carol Connors & Ayn Robbins (Rocky)
- “The Madame’s Song” (a.k.a. “I Never Do Anything Twice”), Stephen Sondheim (The Seven-Per-Cent Solution)
- “Something He Can Feel”, Curtis Mayfield (Sparkle)
- “Welcome to L.A.”, Richard Baskin (Welcome to L.A.)
- “Xica da Silva”, Jorge Ben (Xica)

BEST SOUND

WINNER: All The President’s Men

- Rocky
- Silver Streak
- Taxi Driver
- Carrie

BEST FILM EDITING

WINNER: Paul Hirsch (Carrie)

- Tom Rolf & Melvin Shapiro (Taxi Driver)
- Richard Halsey & Scott Conrad (Rocky)
- Robert L. Wolfe (All the President’s Men)
- Marie Castro & Henri Lanoë & Michèle Neny (Mr. Klein)

BEST ART DIRECTION

WINNER: Mario Garbuglia & Carlo Gervasi (The Innocent)

- George Jenkins & George Gaines (All the President’s Men)
- Danilo Donati & Antonello Geleng (Fellini’s Casanova)
- Bernhard Frey et al (The Marquise of O)
- Richard Berger (Harry and Walter Go to New York)

BEST COSTUME DESIGN

WINNER: Danilo Donati & Federico Fellini (Fellini’s Casanova)

- Alan Barrett (The Seven-Per-Cent Solution)
- William Ware Theiss (Bound for Glory)
Monica Howe (Bugsy Malone)
Julie Harris (The Slipper and the Rose)

SPECIAL EFFECTS

WINNER: Logan’s Run

- Carrie
- King Kong
- Futureworld
- The Omen

BEST SHORT FILM

WINNER (tied): Dojoji Temple
WINNER (tied): Mindscape
WINNER (tied): The Street

- The Devil’s Mask
- Lady Fishbourne’s Complete Guide To Better Table Manners
- Leisure
- Quasi At the Quackedero

SPECIAL ACHIEVEMENT

WINNER (tied): Richard Williams for the credits of The Pink Panther Strikes Again
WINNER (tied): Marc Breaux for the choreography of The Slipper and the Rose

BEST NON-ENGLISH LANGUAGE PICTURE

WINNER – Persona

- Andrei Rublev
- The Battle of Algiers
- Closely Watched Trains
- Au hasard Balthazar

BEST ENGLISH-LANGUAGE PICTURE

WINNER – Who’s Afraid of Virginia Woolf?

- The Good, the Bad, and the Ugly
- Blowup
- A Man for All Seasons
- Cul-de-sac
- Seconds

BEST ACTOR

WINNER – Richard Burton (Who’s Afraid of Virginia Woolf?)

- Paul Scofield (A Man for All Seasons)
- Michael Caine (Alfie)
- Toto (Hawks and Sparrows)
- Alan Arkin (The Russians Are Coming, the Russians Are Coming)
- Steve McQueen (The Sand Pebbles)
- Per Oscarsson (Hunger)

BEST ACTRESS

WINNER – Bibi Andersson (Persona)

- Elizabeth Taylor (Who’s Afraid of Virginia Woolf?)
- Liv Ullmann (Persona)
- Lynn Redgrave (Georgy Girl)
- Anouk Aimee (A Man and a Woman)

BEST SUPPORTING ACTOR

WINNER – Eli Wallach (The Good, the Bad, and the Ugly)

- Josef Somr (Closely Watched Trains)
- Walter Matthau (The Fortune Cookie)
- Robert Shaw (A Man for All Seasons)
- George Segal (Who’s Afraid of Virginia Woolf?)

BEST SUPPORTING ACTRESS

WINNER – Sandy Dennis (Who’s Afraid of Virginia Woolf?)

- Wendy Hiller (A Man for All Seasons)
- Vivien Merchant (Alfie)
- Vanessa Redgrave (Blowup)
- Jocelyne LaGarde (Hawaii)

BEST DIRECTOR

WINNER – Ingmar Bergman (Persona)

- Sergio Leone (The Good, the Bad, and the Ugly)
- Andrei Tarkovsky (Andrei Rublev)
- Gillo Pontecorvo (The Battle of Algiers)
- Michelangelo Antonioni (Blowup)

BEST ORIGINAL SCREENPLAY

WINNER – Ingmar Bergman (Persona)

- Andrei Konchalovsky & Andrei Tarkovsky (Andrei Rublev)
- Gillo Pontecorvo & Franco Solinas (The Battle of Algiers)
- Tomás Gutiérrez Alea, Alfredo L. Del Cueto & Ramón F. Suárez (Death of a Bureaucrat)
- Billy Wilder & I.A.L. Diamond (The Fortune Cookie)

BEST ADAPTED SCREENPLAY

WINNER – Ernest Lehman (Who’s Afraid of Virginia Woolf?, from the play by Edward Albee)

- Robert Bolt (A Man for All Seasons, from the play by Bolt)
- Michelangelo Antonioni, Tonino Guerra & Edward Bond (Blowup, from the story “Las babas del diablo” by Julio Cortázar)
- Bill Naughton (Alfie, from the play by Naughton)
- Lewis John Carlino (Seconds, from the novel by David Ely)
- Richard Brooks (The Professionals, from the novel A Mule for the Marquesa by Frank O’Rourke)

BEST CINEMATOGRAPHY, BLACK-AND-WHITE

WINNER – Sven Nykvist (Persona)

- Vadim Yusov (Andrei Rublev)
- James Wong Howe (Seconds)
- Haskell Wexler (Who’s Afraid Of Virginia Woolf?)
- Marcello Gatti (The Battle Of Algiers)

BEST CINEMATOGRAPHY, COLOR

WINNER (tied) – Tonino delli Colli (The Good, the Bad, and the Ugly)
WINNER (tied) – Carlo di Palma (Blowup)

- Nicolas Roeg (Fahrenheit 451)
- Ted Moore (A Man For All Seasons)
- Shigeyoshi Kawauchi (Tokyo Drifter)
- Conrad Hall (The Professionals)

BEST ORIGINAL SCORE

WINNER – Ennio Morricone (The Good, the Bad, and the Ugly)

- Bernard Herrmann (Fahrenheit 451)
- Francis Lai (A Man and a Woman)
- John Barry (Born Free)
- Alex North (Who’s Afraid of Virginia Woolf?)
- Vyacheslav Ovchinnikov (Andrei Rublev)

BEST ADAPTED/SONG/MUSICAL SCORE

WINNER – Stephen Sondheim (songs); Ken Thorne (musical director); Irwin Kostal (music arranger) (A Funny Thing Happened on the Way to the Forum)

- Musical director uncredited; performances by Herbie Hancock, The Yardbirds, the Lovin’ Spoonful and Tomorrow (Blowup)
- Neal Hefti (musical director) (Lord Love a Duck)
- Soeur Sourire (songs and performances); Harry Sukman (music adaptation); Harold Gelman (music supervisor) (The Singing Nun)
- Elmer Bernstein (musical director) (Return of the Seven)
- Leslie Bricusse & Anthony Newley (songs); Al Ham (musical director) (Stop the World: I Want to Get Off)

BEST SONG

WINNER – “Georgy Girl” by Tom Springfield & Jim Dale (Georgy Girl)

- “The Story of a Soldier” by Ennio Morricone & Tommie Connor (The Good, the Bad, and the Ugly)
- “Alfie” by Burt Bacharach & Hal David (Alfie)
- “Born Free” by John Barry & Don Black (Born Free)
- “Lord Love a Duck” by Neal Hefti & Ernie Sheldon (Lord Love a Duck)

BEST SOUND

WINNER – The Good, the Bad, and the Ugly

- Grand Prix
- The Sand Pebbles
- Persona
- Au hasard Balthazar
- Blow-Up

BEST FILM EDITING

WINNER – L. Feiginova, O. Shevkunenko & T. Yegorycheva (Andrei Rublev)

- Ulla Ryghe (Persona)
- Mario Morra & Mario Serandrei (The Battle of Algiers)
- Eugenio Alabiso & Nino Baragli (The Good, the Bad, and the Ugly)
- Frank Clarke (Blowup)
- Miroslav Hájek (Daises)
- William Reynolds (The Sand Pebbles)

BEST ART DIRECTION, BLACK-AND-WHITE

WINNER – Yevgeni Chernyayev & Ippolit Novoderyozhkin & Sergei Voronkov (Andrei Rublev)

- Arata Isozaki & Masao Yamazaki (The Face of Another)
- Marc Frédérix & Pierre Guffroy (Is Paris Burning?)
- Richard Sylbert & George Hopkins (Who’s Afraid of Virginia Woolf?)
- George Lack (Cul-de-sac)

BEST ART DIRECTION, COLOR

WINNER – Dale Hennesy & Jack Martin Smith (Fantastic Voyage)

- Terence Marsh (A Man for All Seasons)
- Assheton Gorton & Roger King (Blowup)
- Carlo Leva & Carlo Simi & Tani (The Good, the Bad, and the Ugly)
- Ray Simm & Peter James & Roy Forge Smith (The Wrong Box)

BEST COSTUME DESIGN

WINNER – Elizabeth Haffenden & Joan Bridge (A Man for All Seasons)

- Maya Abar-Baranovskaya & Lidiya Novi (Andrei Rublev)
- Jean Louis (Gambit)
- Dorothy Jeakins (Hawaii)
- Jocelyn Rickards & Jackie Breed (Blowup)
- Carlo Simi (The Good, the Bad, and the Ugly)

BEST SPECIAL EFFECTS

WINNER – Fantastic Voyage

- Hawaii
- One Million Years B.C.
- The Professionals
- Grand Prix

BEST SHORT FILM

WINNER – Paddle To the Sea

- Winnie the Pooh and the Honey Tree
- Punch and Judy
- Breakaway
- The Drag
- Earth of People
- A Herb Alpert and the Tijuana Brass Double Feature
- Lapis
- Pink Blueprint

SPECIAL ACHIEVEMENT AWARD

WINNER – Best Animal Performance – The Crow (Hawks and Sparrows)
Best Title Design – Saul Bass (Seconds)
Most Creative Use of an Alternate Screenplay – Woody Allen, Juie Bennett, Frank Buxton, Louise Lasser, Len Maxwell, Mickey Rose, and Bryan Wilson (What’s Up, Tiger Lily?)

BEST PICTURE, ENGLISH LANGUAGE

WINNER (tied) – The Killing
WINNER (tied) – The Searchers

- Invasion of the Body Snatchers
- Written on the Wind
- Forbidden Planet

BEST PICTURE, NON-ENGLISH LANGUAGE

WINNER – A Man Escaped

- The Burmese Harp
- Aparajito
- The Mystery of Picasso
- Street of Shame

BEST ACTOR

WINNER – John Wayne (The Searchers)

- Yul Brynner (The King and I)
- Kirk Douglas (Lust for Life)
- Henry Fonda (The Wrong Man)
- Glenn Ford (Ransom!)
- James Mason (Bigger Than Life)

BEST ACTRESS

WINNER – Ingrid Bergman (Anastasia)

- Vera Miles (The Wrong Man)
- Maria Schell (Gervaise)
- Carroll Baker (Baby Doll)
- Deborah Kerr (The King and I)

BEST SUPPORTING ACTOR

WINNER – Elisha Cook, Jr. (The Killing)

- James Dean (Giant)
- Anthony Quinn (Lust for Life)
- Robert Stack (Written on the Wind)
- Eli Wallach (Baby Doll)

BEST SUPPORTING ACTRESS

WINNER – Dorothy Malone (Written on the Wind)

- Marie Windsor (The Killing)
- Helen Hayes (Anastasia)
- Machiko Kyo (Street of Shame)
- Brenda De Banzie (The Man Who Knew Too Much)
- Keiko Kishi (Early Spring)

BEST DIRECTOR

WINNER – Robert Bresson (A Man Escaped)

- Stanley Kubrick (The Killing)
- John Ford (The Searchers)
- Douglas Sirk (Written on the Wind)
- Don Siegel (Invasion of the Body Snatchers)

BEST ADAPTED SCREENPLAY

WINNER – Daniel Mainwaring (Invasion of the Body Snatchers, from the novel The Body Snatchers by Jack Finney)

- Stanley Kubrick & Jim Thompson (The Killing, from the novel Clean Break by Lionel White)
- Robert Bresson (A Man Escaped, from the memoir Un condamné à mort s’est échappé by André Devigny)
- Frank S. Nugent (The Searchers, from the novel by Alan Le May)
- Natto Wada (The Burmese Harp, from the novel Biruma no Tategoto by Takeyama Michio)

BEST ORIGINAL SCREENPLAY

WINNER – Auguste Le Breton & Jean-Pierre Melville (Bob le flambeur)

- Kôgo Noda & Yasujiro Ozu (Early Spring)
- Cyril Hume & Richard Maibaum (Ransom!)
- Burt Kennedy (Seven Men from Now)

BEST CINEMATOGRAPHY, BLACK AND WHITE

WINNER – Léonce-Henri Burel (A Man Escaped)

- Minoru Yokoyama (The Burmese Harp)
- Lucien Ballard (The Killing)
- Boris Kaufman (Baby Doll)
- Ellsworth Fredericks (Invasion of the Body Snatchers)
- Joseph Ruttenberg (Somebody Up There Likes Me)

BEST CINEMATOGRAPHY, COLOR

WINNER – Winton C. Hoch (The Searchers)

- Russell Metty (Written on the Wind)
- Russell Harlan & Freddie Young (Lust for Life)
- Loyal Griggs (The Ten Commandments)
- Jack Cardiff (War and Peace)

BEST ORIGINAL SCORE

WINNER – Bebe Barron & Louis Barron (Forbidden Planet)

- Akira Ifukube (The Burmese Harp)
- Miklos Rozsa (Lust for Life)
- Dimitri Tiomkin (Giant)
- Victor Young (Around the World in Eighty Days)

BEST ADAPTED/SONG SCORE

WINNER – Richard Rodgers & Oscar Hammerstein II (adapted songs); Alfred Newman (music supervisor) & Ken Darby (associate music supervisor) (The King and I)

- Cole Porter (original and adapted songs); Saul Chaplin & Johnny Green (music supervisors) (High Society)
- Richard Rodgers & Oscar Hammerstein II (adapted songs); Alfred Newman (music supervisor) & Ken Darby (vocal supervisor) (Carousel)
- Bobby Troup (original songs); Lionel Newman (music supervisor) & Ken Darby(vocal supervisor) (The Girl Can’t Help It)
- Morris Stoloff (music supervisor) (The Eddy Duchin Story)

BEST SONG

WINNER – “Whatever Will Be, Will Be (Que Sera, Sera)”, Jay Livingston & Ray Evans (The Man Who Knew Too Much)

- “The Girl Can’t Help It”, Bobby Troup (The Girl Can’t Help It)
- “Now You Has Jazz”, Cole Porter (High Society)
- “Written on the Wind”, Victor Young & Sammy Cahn (Written on the Wind)
- “Friendly Persuasion (Thee I Love)”, Dimitri Tiomkin & Paul Francis Webster (Friendly Persuasion)
- “True Love”, Cole Porter (High Society)

BEST SOUND

WINNER – The Ten Commandments

- A Man Escaped
- The Killing
- The King And I
- Forbidden Planet

BEST FILM EDITING

WINNER – Betty Steinberg (The Killing)

- George Tomasini (The Man Who Knew Too Much)
- Anne Bauchens (The Ten Commandments)
- Jack Murray (The Searchers)
- Robert S. Eisen (Invasion of the Body Snatchers)
- Henri Colpi (The Mystery of Picasso)

BEST ART DIRECTION, BLACK AND WHITE

WINNER – Len Townsend (1984)

- Enrique Alarcón (Calle Mayor)
- Richard Sylbert (Baby Doll)
- John Beckman (The Bad Seed)
- Malcolm Brown & Cedric Gibbons (Somebody Up There Likes Me)

BEST ART DIRECTION, COLOR

WINNER – Albert Nozaki & Hal Pereira & Walter H. Tyler (The Ten Commandments)

- Cedric Gibbons & Arthur Lonergan (Forbidden Planet)
- Robert Clatworthy & Alexander Golitzen (Written on the Wind)
- Paul S. Fox & Walter M. Scott (The King and I)
- Preston Ames & Cedric Gibbons & Hans Peters (Lust for Life)

BEST COSTUME DESIGN

WINNER – Edith Head & Ralph Jester & John Jensen & Dorothy Jeakins & Arnold Friberg (The Ten Commandments)

- Miles White (Around the World in Eighty Days)
- Irene Sharaff (The King and I)
- Walter Plunkett & Helen Rose (Forbidden Planet)
- René Hubert (Anastasia)
- Helen Rose (High Society)
- Maria De Matteis (War and Peace)

BEST SPECIAL EFFECTS

WINNER – Forbidden Planet

- The Ten Commandments
- Earth Vs The Flying Saucers
- X The Unknown
- Moby Dick

BEST SHORT FILM

WINNER – The Red Balloon

- Toute la mémoire du monde
- Magoo’s Puddle Jumper
- The Jaywalker
- Deduce, You Say
- Rythmetic
- The Bespoke Overcoat
- Van Gogh: Darkness Into Light

SPECIAL ACHIEVEMENT

WINNER – Ghislain Cloquet for the cinematography of Toute la mémoire du monde

Maurice Leroux for the musical score of The Red Balloon

Best Picture, Non-English Language

La Belle et la Bête (winner!)

- Shoeshine
- Paisan
- Crisis
- Utamaro and His Five Women

Best Picture, English Language

It’a a Wonderful Life (winner!)

- The Best Years of Our Lives
- Great Expectations
- The Big Sleep
- Notorious

Best Actor

James Stewart (It’s a Wonderful Life) (winner!)

- Humphrey Bogart (The Big Sleep)
- Henry Fonda (My Darling Clementine)
- David Niven (A Matter of Life and Death)
- Dana Andrews (The Best Years of Our Lives)
- Alastair Sim (Green for Danger)

Best Actress

Rita Hayworth (Gilda) (winner!)

- Ingrid Bergman (Notorious)
- Josette Day (La Belle et la Bête)
- Lauren Bacall (The Big Sleep) -
- Setsuko Hara (No Regrets for Our Youth)

Best Supporting Actor

Claude Rains (Notorious) (winner!)

- Franco Interlenghi (Shoeshine)
- Harold Russell (The Best Years of Our Lives)
- Lionel Barrymore (It’s a Wonderful Life)
- Cecil Kellaway (The Postman Always Rings Twice)

Best Supporting Actress

Myrna Loy (The Best Years of Our Lives) (winner!)

- Martita Hunt (Great Expectations)
- Anne Baxter (The Razor’s Edge)
- Jean Simmons (Great Expectations)
- Leopoldine Konstantine (Notorious)

Best Director

Jean Cocteau (La Belle et la Bête) (winner!)

- Alfred Hitchcock (Notorious)
- William Wyler (The Best Years of Our Lives)
- David Lean (Great Expectations)
- Frank Capra (It’s a Wonderful Life)

Best Cinematography

Henri Alekan (La Belle et la Bête) (winner!)

- Guy Green (Great Expectations)
- Jack Cardiff (A Matter of Life and Death)
- Gregg Toland (The Best Years of Our Lives)
- Charles Rosher & Leonard Smith (The Yearling)

Best Original Screenplay

Sergio Amidei & Adolfo Franci, C. G. Viola & Cesare Zavattini (Shoeshine) (winner!)

- Michael Powell & Emeric Pressburger (A Matter of Life and Death)
- Lewis Herman & Anne Wigton & Mindret Lord (Strange Impersonation)
- Victor Trivas & Anthony Veiller & Decla Dunning (The Stranger)
- Norman Panama & Melvin Frank (Road to Utopia)

Best Adapted Screenplay

Robert E. Sherwood (The Best Years of Our Lives, from the novella Glory for Me by MacKinlay Kantor) (winner!)

- Jean Cocteau (La Belle et la Bête, from the story by Jeanne-Marie Leprince de Beaumont)
- William Faulkner & Leigh Brackett & Jules Furthman (The Big Sleep, from the novel by Raymond Chandler)
- Frances Goodrich & Albert Hackett & Frank Capra & Jo Swerling (It’s a Wonderful Life, from the story “The Greatest Gift” by Philip Van Doren Stern)
- Anthony Havelock-Allan & David Lean & Cecil McGivern & Ronald Neame & Kay Walsh (Great Expectations, from the novel by Charles Dickens)

Best Original Score

Georges Auric (La Belle et la Bête) (winner!)

- Hugo Friedhofer (The Best Years of Our Lives)
- Max Steiner (The Big Sleep)
- Bernard Herrmann (Anna and the King of Siam)
- Miklos Rozsa (The Killers)

Best Adapted / Song / Musical Score

Allie Wrubel, Ray Gilbert, Ken Darby, Foster Carling, et. al. (original songs); Charles Wolcott (musical director) (Song of the South) (winner!)

- Harry Warren & Johnny Mercer (original songs); Lennie Hayton (musical director) (The Harvey Girls)
- Irving Berlin (adapted songs); Robert Emmett Dolan (musical director) (Blue Skies)
- Dimitri Tiomkin (musical director) (It’s a Wonderful Life)
- M. W. Stoloff (musical director) (The Jolson Story)
- Cole Porter (adapted songs); Leo F. Forbstein (musical director) (Night and Day)

Best Original Song

“Zip-A-Dee-Doo-Dah”, Allie Wrubel & Ray Gilbert (Song of the South) (winner!)

- “On the Atchison, Topeka, and the Santa Fe”, Harry Warren & Johnny Mercer (The Harvey Girls)
- “Put the Blame on Mame”, Doris Fisher & Allan Roberts (Gilda)
- “Ole Buttermilk Sky”, Hoagy Carmichael & Jack Brooks (Canyon Passage)
- “Personality”, Jimmy Van Heusen & Johnny Burke (Road to Utopia)

Best Sound

Great Expectations (winner!)

- The Best Years of Our Lives
- A Matter of Life and Death
- Paisan
- It’s a Wonderful Life
- The Jolson Story
- My Darling Clementine

Best Film Editing

Jack Harris (Great Expectations) (winner!)

- Arthur Hilton (The Killers)
- Reginald Mills (A Matter of Life and Death)
- Theron Warth (Notorious)
- Claude Ibéria (La Belle et la Bête)

Best Art Direction

Lucien Carré & Christian Bérard & René Moulaert (La Belle et la Bête) (winner!)

- Alfred Junge & Arthur Lawson & Roger Ramsdell (A Matter of Life and Death)
- Wilfred Shingleton & William Hutchinson & John Bryan (Great Expectations)
- Jack Okey & Emile Kuri (It’s a Wonderful Life)
- William Darling & Lyle Wheeler (Anna and the King of Siam)

Best Costume Design

Antonio Castillo & Marcel Escoffier & Christian Bérard (La Belle et la Bête) (winner!)

- Sophia Harris of Motley (Great Expectations)
- Joseph Bato & Hein Heckroth (A Matter of Life and Death)
- Edith Head (Notorious)
- Laurie Lourie (Diary of a Chambermaid)

Best Special Effects

A Matter of Life and Death (winner!)

- La Belle et la Bête
- Song of the South
- The Dark Mirror
- It’s a Wonderful Life

Best Film Short

The Cat Concerto (winner!)

- The Great Piggy Bank Robbery
- John Henry and the Inky-Poo
- Ritual In Transfigured Time
- Daffy Doodles
- Northwest Hounded Police
- Peter and the Wolf

Best Picture, English Language

Modern Times (winner!)

- My Man Godfrey
- Swing Time
- Fury
- Dodsworth

Best Picture, Non-English Language

The Story of a Cheat (winner!)

- The Crime of Monsieur Lange
- The Only Son
- A Day in the Country
- Sisters of the Gion

Best Actor

Charles Chaplin (Modern Times) (winner!)

- Walter Huston (Dodsworth)
- Raimu (César)
- William Powell (My Man Godfrey)
- Sacha Guitry (The Story of a Cheat)

Best Actress

Carole Lombard (My Man Godfrey) (winner!)

- Greta Garbo (Camille)
- Sylvia Sidney (Sabotage)
- Sylvia Sidney (Fury)
- Jean Arthur (Mr. Deeds Goes to Town)

Best Supporting Actor

Paul Robeson (Show Boat) (winner!)

- Jules Berry (The Crime of Monsieur Lange)
- Humphrey Bogart (The Petrified Forest)
- Mischa Auer (My Man Godfrey)
- Louis Jouvet (The Lower Depths)
- Oscar Homolka (Sabotage)

Best Supporting Actress

Paulette Goddard (Modern Times) (winner!)

- Luise Rainer (The Great Ziegfield)
- Mary Astor (Dodsworth)
- Alice Brady (My Man Godfrey)
- Bonita Granville (These Three)

Best Director

Charles Chaplin (Modern Times) (winner!)

- Fritz Lang (Fury)
- Alfred Hitchcock (Sabotage)
- James Whale (Show Boat)
- Jean Renoir (The Crime of Monsieur Lange)

Best Cinematography

Joseph Ruttenberg (Fury) (winner!)

- Claude Renoir & Jean Bourgoin (A Day in the Country)
- Tony Gaudio (Anthony Adverse)
- Rollie Totheroh, Ira Morgan (Modern Times)
- Virgil Miller (The Garden of Allah)

Best Original Screenplay

Charles Chaplin (Modern Times) (winner!)

- Norman Krasna, Bartlett Cormack & Fritz Lang (Fury)
- Sacha Guitry (The Story of a Cheat)
- Yasujiro Ozu (as “James Maki”), Tadao Ikeda & Masao Arata (The Only Son)
- Jean Castanyer, Jean Renoir & Jacques Prévert (The Crime of Monsieur Lange)
- Wallace Sullivan, Maurine Watkins, Howard Emmett Rogers & George Oppenheimer (Libeled Lady)

Best Adapted Screenplay

Morrie Ryskind & Eric Hatch (My Man Godfrey, from the novel 1101 Park Avenue by Hatch) (winner!)

- Robert Riskin (Mr. Deeds Goes to Town, from the story “Opera Hat” by Clarence Budington Kelland)
- Marcel Pagnol (César, from characters in the play Marius by Pagnol as adapted for the screen by Pagnol)
- Sidney Howard (Dodsworth, from the novel by Sinclair Lewis as adapted for the stage by Howard)
- Charles Bennett, Ian Hay, Helen Simpson & E.V.H. Emmett (Sabotage, from the novel The Secret Agent by Joseph Conrad)

Best Original Score

Charles Chaplin (Modern Times) (winner!)

- Erich Wolfgang Korngold (Anthony Adverse)
- Max Steiner (The Charge of the Light Brigade)
- Kosma (A Day in the Country)
- Franz Waxman (Fury)
- Arthur Bliss (Things to Come)

Best Adapted / Song / Musical Score

Jerome Kern & Dorothy Fields (original songs); Nathaniel Shilkret (musical director) (Swing Time) (winner!)

- Jerome Kern & Oscar Hammerstein II (adapted and original songs); Victor Baravalle (musical director) (Show Boat)
- Cole Porter (original songs); Alfred Newman (musical director) (Born to Dance)
- Irving Berlin (original songs); Max Steiner (musical director) (Follow the Fleet)
- Bronislau Kaper, Walter Jurmann & Gus Kahn (original songs); Herbert Stothart (musical director) (San Francisco)

Best Original Song

“The Way You Look Tonight”, Jerome Kern & Dorothy Fields (Swing Time) (winner!)

- “A Fine Romance”, Jerome Kern & Dorothy Fields (Swing Time) (Sabotage)
- “I’ve Got You Under My Skin”, Cole Porter (Born To Dance)
- “Let’s Face The Music And Dance”, Irving Berlin (Follow The Fleet)
- “San Francisco”, Bronislau Kaper, Walter Jurmann & Gus Kahn (San Francisco)

Best Sound

San Francisco (winner!)

- Modern Times
- Swing Time
- The Charge of the Light Brigade
- Sabotage

Best Film Editing

Charles Frend (Sabotage) (winner!)

- Willard Nico & Charles Chaplin (Modern Times)
- Henry Berman (Swing Time)
- George Amy (The Charge of the Light Brigade)
- Edward Curtiss (Come and Get It)

Best Art Direction

Al Ernest Garcia (Modern Times) (winner!)

- Vincent Korda (Things to Come)
- Richard Day (Dodsworth)
- Vincent Korda (Rembrandt)
- Cedric Gibbons (Camille)
- Cedric Gibbons (The Devil-Doll)

Best Costume Design

Adrian (Camille) (winner!)

- John Armstrong (Rembrandt)
- Georges Annenkov (Mayerling)
- Doris Zinkeisen (Show Boat)
- Adrian & Oliver Messel (Romeo and Juliet)
- Bernard Newman (Swing Time)

Best Special Effects

San Francisco (winner!)

- The Devil-Doll
- Things to Come
- The Invisible Ray
- Sabotage

Best Film Short

The Plow That Broke the Plains (tied winner!)
Popeye the Sailor Meets Sindbad the Sailor (tied winner!)

- Allegretto
- I Love To Singa
- Night Mail
- Rose Hobart

Best Picture, English Language

Nashville (winner!)

- Jaws
- Barry Lyndon
- Dog Day Afternoon
- One Flew over the Cuckoo’s Nest

Best Picture, Non-English Language

The Story of Adele H. (winner!)

- Dersu Uzala
- Seven Beauties
- The Mirror
- Salò

Best Actor

Jack Nicholson (One Flew over the Cuckoo’s Nest) (winner!)

- Al Pacino (Dog Day Afternoon)
- Giancarlo Giannini (Seven Beauties)
- Maksim Munzuk (Dersu Uzala)
- Tim Curry (The Rocky Horror Picture Show)

Best Actress

Isabelle Adjani (The Story of Adele H.) (winner!)

- Angela Winkler (The Lost Honor of Katharina Blum)
- Katharine Ross (The Stepford Wives)
- Carol Kane (Hester Street)
- Delphine Seyrig (India Song)
- Monique van de Ven (Katie Tippel)

Best Supporting Actor

John Cazale (Dog Day Afternoon) (winner!)

- Brad Dourif (One Flew over the Cuckoo’s Nest)
- Robert Shaw (Jaws)
- Richard Dreyfuss (Jaws)
- Jean Rochefort (Let Joy Reign Supreme)
- Henry Gibson (Nashville)

Best Supporting Actress

Louise Fletcher (One Flew over the Cuckoo’s Nest) (winner!)

- Lily Tomlin (Nashville)
- Rachel Roberts (Picnic at Hanging Rock)
- Ronee Blakley (Nashville)
- Gwen Welles (Nashville)

Best Director

Robert Altman (Nashville) (winner!)

- Milos Forman (One Flew over the Cuckoo’s Nest)
- Steven Spielberg (Jaws)
- Stanley Kubrick (Barry Lyndon)
- Andrei Tarkovsky (The Mirror)

Best Cinematography

John Alcott (Barry Lyndon) (winner!)

- Russell Boyd (Picnic at Hanging Rock)
- Luciano Tovoli (The Passenger)
- Luigi Kuveiller (Profondo Rosso)
- Georgy Rerberg (The Mirror)

Best Original Screenplay

Joan Tewkesbury (Nashville) (winner!)

- Graham Chapman, John Cleese, Eric Idle, Terry Gilliam, Terry Jones & Michael Palin (Monty Python and the Holy Grail)
- Lina Wertmüller (Seven Beauties)
- David Cronenberg (Shivers)
- Jerry Belson (Smile)

Best Adapted Screenplay

Lawrence Hauben & Bo Goldman (One Flew Over the Cuckoo’s Nest, from the novel by Ken Kesey as adapted for the stage by Dale Wasserman) (winner!)

- Frank Pierson (Dog Day Afternoon, from the magazine article “The Boys in the Bank” by P. F. Kluge)
- Jean Gruault, Frances V. Guille, Suzanne Schiffman & François Truffaut (The Story of Adele H., from the diary of Adèle Hugo)
- Peter Benchley & Carl Gottlieb (Jaws, from the novel by Benchley)
- Stanley Kubrick (Barry Lyndon, from the novel The Luck of Barry Lyndon by William Makepeace Thackeray)

Best Original Score

John Williams (Jaws) (winner!)

- Giorgio Gaslini & Goblin (Profondo Rosso)
- Maurice Jarre (The Man Who Would Be King)
- Jack Nitzsche (One Flew over the Cuckoo’s Nest)
- Jerry Goldsmith (The Wind and the Lion)

Best Adapted / Song / Musical Score

Richard Baskin (music supervisor–original songs by Baskin et. al.) (Nashville) (winner!)

- Leonard Rosenman (music adaptor) (Barry Lyndon)
- Richard O’Brien (adapted songs); Richard Hartley (musical director) (The Rocky Horror Picture Show)
- Pete Townshend (musical director, adapted and original songs and concepts) (Tommy)
- R. D. Burman & Sahir Ludhianvi (original songs) (Deewaar)
- John Kander & Fred Ebb (original songs); Peter Matz (musical director) (Funny Lady)

Best Original Song

“200 Years”, Richard Baskin & Henry Gibson (Nashville) (winner!)

- “I’m Easy”, Keith Carradine (Nashville)
- “It Don’t Worry Me”, Keith Carradine (Nashville)
- “How Lucky Can You Get”, John Kander & Fred Ebb (Funny Lady)
- “Mehbooba Mehbooba”, R.D. Burman (Sholay)

Best Sound

Nashville (winner!)

- Jaws
- Picnic At Hanging Rock
- Profondo Rosso
- Salò

Best Film Editing

Verna H. Fields (Jaws) (winner!)

- Dede Allen (Dog Day Afternoon)
- Dennis Hill & Sidney Levin (Nashville)
- Fredric Steinkamp & Don Guidice (Three Days of the Condor)
- Lyudmila Feiginova (The Mirror)

Best Art Direction

Roy Walker (Barry Lyndon) (winner!)

- Dante Ferretti & Osvaldo Desideri (Salò)
- Tony Inglis (The Man Who Would Be King)
- Terry Ackland-Snow (The Rocky Horror Picture Show)
- Pierre Guffroy (Let Joy Reign Supreme)

Best Costume Design

Milena Canonero & Ulla-Britt Söderlund (Barry Lyndon) (winner!)

- Judith Dorsman (Picnic at Hanging Rock)
- Jacqueline Guyot (The Story of Adele H.)
- John Wilson-Apperson & Edith Head (The Man Who Would Be King)
- Gladys de Segonzac (Love and Death)

Best Special Effects

Jaws (winner!)

- The Hindenburg
- Profondo Rosso
- Shivers
- Black Moon

Best Film Short

Hedgehog in the Fog (winner!)

- Great
- Seasons of the Year
- Sisyphus
- Water Wrackets